2 posts tagged “color photo art”
This is a Color Photo Born Inside a Camera.
I use the rules of third as guide to determine where I place my colors.
This is a Side view of a Photograph.
| A,3=Fore Ground Top. | B,3=Top Middle Ground. | C,3=Top Back Ground. |
| B,2=Fore Ground Middle | B,2=Mid Ground Middle. | C,2=Back Ground Middle. |
| A,1=Fore Ground Bottom. | B,1=Middle Ground Bottom. | C,1=Back Ground Bottom. |
This is a Black and White Print Delivered inside my Darkroom.
This is Frontal view of a Photograph or scene.
| X,3=Top Left. | Y,3=Top Middle. | Z,3=Top Right. |
| X,2Middle Left. | Y,2=Mid Middle | Z,2=Middle Right |
| X,1=Bottom Left. | Y,1=Bottom Middle. | Z,1=Bottom Right. |
This is Hand Tinted Photo the Classic way.
This Technique can be applied to any Media. The colors lead the viewers eye to focus on certain areas of the Final Photo Art. I use only color film to create my Black and White Photo Art. Color films have three layers and Black and White Film have only two layers. I find that color films record the true mood of each scene as it really is. Reds are red, blues are blue, and greens are green. Black and white films records the tones and not the hues and the chroma of each scene as it exist. I use my color prints to aide in my color balancing process. This is the most exciting aspect of my 2 Zone Technique. I use Zone "A" to compose my Color Photo Art inside the camera. I then use Zone "B" to develop my Black and White Print.
I have a simple formula that I created to achieve my color balance and color contrast of each final print. I use the actual Color Photo as a guide when I Hand Tint my Black and White Photo the Classic way. I use up to 27 points when I color my prints.
The foreground = A, middle = B, back = C. The bottom = 1, middle = 2, and top = 3. I can place my hues of color in one the cubes to create unimaginable illusions of Grandeur.
A Black and White Negative is a reversal of the tones in the original scene. Where the scene is bright, the negative develops many dense, dark grains of silver. These dense areas hold back light from the paper, they prevent the formation of silver in the papers emulsion and so creates a bright area corresponding to the bright area in the scene. Where the scene was dark, the negative is thin or even clear. It passes much light to the paper and dark silver is formed in the emulsion, resulting in a dark area in the print.
Color films records most all the color of the spectrum, nearly all colors can be reproduced by mixing only a few basic or primary colors. Color films are made with three color-sensitive layers, each of which records the wave lengths of lights in a different third of the color spectrum. Colors negative film is processed to be the opposite in colors and density of the original scene; then it is printed onto a sheet of sensitized paper to make a positive color print.
This is why I shoot color films to Print out my Black and White Photos the Classic way. Color films gives more details in my prints. The colors remain true and the tones are richer. I use the actual color photo as a guide when my Hand Tint my Black and White Prints.
Color Photo Art Born inside a Camera the Classic way.
Black and White Photo Art delivered in my Dark room the Classic way.
I use my own 2 Zone Technique to Create my Photo Art from any Color negative or Black and White Negative.